Kyle Ethan Fischer
|
Search for Other Artists |
This artist has representation. Art purchase inquiries should be directed to:
moxiedada.com
|
|
|
|
Next>>
|
| Ships |
| Medium: |
Mixed Media |
| Size: |
19 inches wide by 26 inches long |
| Price: |
$700.00 |
| Description: |
| Check out more work in the gallery section under Kyle Ethan Fischer Studios!
This work may also be viewed at Moxie Dada and is representative of my exploration of ink and transfer processes. I will be having a discussion on the materials I use Saturday October 6th at 4pm at the Gallery. Check out their website- moxiedada.com. |
|
|
|
|
|
| |
|
|
|
Current Cart Value
|
|
Current Wishlist Count
|
|
$0.00
|
|
0
|
|
|
|
|
Biography:
Kyle Ethan Fischer received his BFA in Painting from The Lyme Academy College of Fine Arts in Old Lyme Connecticut where he was classically trained. He studied the figure under Deane Keller and anatomist Dr. Wayne Southwick at Yale medical school, learned methods and materials from Steve Sheehan, director of the Ralph Meyer Center at Yale, and painting under David Dewey student of Hans Hoffman. After pursuing painting he received a stipend and scholarship to study abroad at the National College of Art, Dublin in Ireland concentrating on sculpture and installation and developing an understanding of the “sensation” ideology in the UK; influenced by artists Dorothy Cross and Damien Hirst. After returning to the U.S., he attended the Corcoran College of Art in Washington DC further exploring sculpture and under the tutelage of Genna Watson returned to the figure. Fischer then moved to Pittsburgh where he is able to pursue a pluralistic approach exploring all facets of materials from large scale installation and performance art to small expressionistic ink studies. He is a recent member of Group A and has exhibited locally and nationally. He will be opening a working studio and performance art space known as Crowd Control in the Garfield area in the spring.
|
Artist Statement:
As an artist it is often difficult to draw that which I see parallels or the opposites that coincide together. This is the idea of “coincidata oppositorium” or fruitful synthesis of opposites. Whether I choose to work in a classical manner or in a more untraditional manner the marriage or the divorce of the mediums are circumvented for the concept or symbolic meaning. My choice in content is also representative of this idea- the threads often not making sense individually but as one vibrates a web appears with the focus apparent as an after thought.
It is the meditation on an idea or image that I hope becomes a catalyst for the viewer.
|
|
|
|
|
|
|
|
